ABOUT US
Dr. V. Pellerin holds a Ph.D. in Literature and Art from the École des Hautes Etudes еn Sciences Sociales (EHESS) in Paris.
Her research focuses on semiotics of French literature and art. In 1999, she graduated in French Literature at Sofia University „St. Kliment Ohridski”. She held a Master’s degree in Didactics, Master FLE (Français langue étrangère) from Paris 3, The New Sorbonne University. Dr V. Pellerin worked as a professor at the Catholic University of Paris in the period 2015-2017, where she taught specialty courses in French, literature and art, in particular “The Interartistic Phenomenon in Montaigne and Proust”. In 2016, she was accepted to study Art History for a second year at the École du Louvre in Paris. In 2020 she received a Bachelor’s degree in Art History and Archaeology from the University of Lille, France.
Dr V. Pellerin coined the term of „The Interartistic Phenomenon“ in the semiotic field. The term was introduced for the first time in her master thesis on Sartre in 1998 and subsequently was defended in her work «The Interartistic Phenomenon through Montaigne’s Essays », Bern, 2018. Her concept of the Interartistic Phenomenon differs from intertextuality as it affects arts еxclusively. The interartistic phenomenon explains, from a theoretical point of view, the fundamental relation between the arts in any artistic field.
Selected publications:
Published books:
The Interartistic Phenomenon Across « The Essays » of Montaigne and « Mobile » of Butor, « Catalonian Garden » of Butor and Badin…, Prostranstvo & forma, Sofia, 2007, French version in the Romain Gary de Nice library, fonds Michel Butor.
ISBN: 9789548500050
The Interartistic Phenomenon through Montaigne’s Essays, Peter Lang, Bern, 2018
ISBN: 978-3034333177
L'interpicturalité dans la sémiotique de l'art, Aracne editrice, Rome, 2019
ISBN: 978-8825521108
Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin, Aracne editrice, Rome, 2019
ISBN : 978-8825523447
Participation in international conferences:
Session of the Annual Central South-East Seminar in Semiotics at the New Bulgarian University at Sofia, presentation of text , “The Intersemiotic Sonority of the Theory and the Drawings of Kandinsky”, April 2003
9th edition of the International Colloquium of Semiotics of Autumn “Saints Cyrique et Julita”, 2003 at the round table organized by Laura Shumkova, special giest Harri Veivo, University of Helsinki, „La Textualité littéraire – élémentartistique principal dans La Nauséе de Sartre“
The Signs of the World, Interculture and Globalisation – 8th International Congress of the International Association of Semiotics, “The Globalization of the Sensitivity”/La globalisation de la sensibilité, “Semanitics of Colors in “The Modification” by Michel Butor/“Sémantique des couleurs dans “La Modification” de Michel Butor”, p.541-p.542, 2004; The Interface of Images and Verbal Signs/L’interface des images et des signes verbaux, “Interartistic Traits in the “Autoportrait“ of Montaigne/Traits interartistiques dans “L’Autoportrait” de Montaigne”, p.556-p.557, 2004 at the Lumière II University of Lyon
L’interface des images et des signes verbaux, “Traits interartistiques dans “L’Autoportrait” de Montaigne”, p.556-p.557, 2004 à l’Université Lumière II de Lyon
12 Early Fall School of Semiotics, « The Dreamed paradise of Michel Butor»,, Contribution presented at the 12th edition of the International Congress in Sozopol, September 13th 2006
An International, Interdisciplinary Conference on Text and Image, March 29-30, 2007, at Central Connecticut State University in New Britain, CT, USA, “The Interartistic phenomenon in the Catalonian garden of Georges Badin and Michel Butor”
75th ACFAS Congress, Trois-Rivières University, in cooperation with Students Forum of the Interdisciplinary Research Centre, edition 2007, 7 May 2007, “Seeing the Text, Reading the Image: the Intermediality in Work/« Voir le texte, lire l’image : de l’intermédialité à l’œuvre “, Exploring the Interartistic Boundaries/Explorer les frontières interartistiques, « Les Compositions interpicturales de Kandinsky », [Kandinsky’s Interpictural Compositions], New Bulgarian University, Canada
https://www.ledevoir.com/societe/science/142185/75e-congres-de-l-acfas-l-excellence-pour-une-region
9th World Congress of IASS/AIS, June 11-17, 2007 at the University of Helsinki and at International Semiotics Institute at Imatra “Interpictoriality and intermusicality in the interartistic text of “Nausea“,
6th National Congress and 3rd International Congress of Sema, 7th Interdisciplinary Symmetry Congress and exhibition of ISIS-symmetry, 11 to 17 de November 2007, Faculty of Architecture, Design and Urbanism, University of Buenos Aires, University Campus, Nunez, Building 3,4th floor, City of Buenos Aires, Argentina, Subject of the Congress, Form & Symmerty : Art and Science. “The interartistic phenomenon”,
http://www.planum.net/events-news/form-and-symmetry-2007-art-and-science
XXXe Colloque d’Albi Langages et Signification, “La vision interartistique à travers le bleu et le jaune de Montaigne à Badin et Butor”, Albi, 6-9 juillet 2009
9ème Congrès de l’Association Internationale de Sémiotique, AISV, Venise, 13—16 avril 2010, “Le jardin des arts”.
https://aisviavs.files.wordpress.com/2013/04/aisv2010program.pdf
Intervention au colloque “L’univers Butor” de Belo Horizonte, 2011, “Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin“,
http://henri.desoubeaux.pagesperso-orange.fr/butorweb-g.html
Xe Congrès de l’Association internationale de sémiotique visuelle AISV-IAVS en 2012, du mardi 4 au samedi 8 septembre 2012, Faculté de droit, Université de Buenos Aires,
“Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin”
International congress, Language, Individual & Society, Varna, 2018
“Proust’s Hawthorn Hedge”,
14th World Congress of Semiotics 2019 of the International Association of Semiotics Studies, Buenos Aires, 9-13 September 2019, “Les couleurs chez Butor et Badin et les lettres cyrilliques”,
Articles and studies:
Le jardin des arts à travers Les Essais de Montaigne, in Retorica del visibile, Aracne editrice, Rome, 2011, ISBN: 978-8854838505
http://www.aracneeditrice.it/index.php/autori.html?auth-id=250930
The Interartistic Phenomenon in the Catalonian garden, in Picturing the language of Images, Cambridge Scholars Publishing, Cambridge, 2013
https://www.mun.ca/faculty/npedri/selected_publications/PicturingtheLanguageofImages.php
Semantics of Colours in The Modification by Michel Butor, April 2005 in Sledva, literature review, New Bulgarian University press, n11, p. 20-30
https://kulturni-novini.info/sections/4/news/868-sledva-spisanie-za-universitetska-kultura-broy-11
“The Autoportrait” of Montaigne/Traits interartistiques dans “L’Autoportrait” de Montaigne in Art, Yearbook (2nd volume) of the Art History Department of the New Bulgarian University, Interartistic Traits, December, 2005
The Mental Castle of Michel Butor, Dedicated to the 80th Anniversary of the Author» in CULTURE weekly journal, 12th May 2006, number 18, references on the Exhibition of the 13 artists around Butor
The Unspeakable in the works of Michel Butor, The Unspeakable on America or the Sublimity of the Ineffable Works /publication in original language: L’indicible chez Michel Butor , L’indicible sur l’Amérique ou le sublime des œuvres ineffables,” in Applied Semiotics, Sémiotique appliquée, An International Review of the Literary Research on the Internet/Une revue internationale de recherche littéraire sur Internet, Number 17, Volume 7, Semiotics, Religion and Ideology/Sémiotique, religion et idéologie, June 2006, Toronto, Canada
http://french.chass.utoronto.ca/as-sa/ASSA-No17/Article4fr.html
https://books.google.com/books/about/French_XX_Bibliography.html?id=-H2_BNvAKWkC
Michel Butor, in honor of his 80th anniversary, in Literary Journal, October 2006
The Paradise of Dream … The Catalonian Garden…, in Problems of Art, Review of the Bulgarian Academy of Sciences, edition of the Art History Department Number 3, 2006, Sofia
http://artstudies.bg/wp-content/uploads/2015/12/ContentSummaries-48.pdf
Le Paradis de rêve…Le Jardin Catalan…, in Passage d’encres, N 27, Paris, février 2007
ISBN : 978-2-913640-66-5
The Interartistic Concept in Kandinsky’s Paintings The Image/Text problem in Amsterdam International Electronic Journal for Cultural Narratology, autumn, N 4 2007,
The Interartistic Phenomenon as an Intermedial Structure in the Arts, in Applied Semiotics, Sémiotique appliquée, Une revue internationale de recherche littéraire sur Internet, Numéro 20, Volume 7, Sémiotique et Intermédialité, février 2008, Toronto, Canada
http://www.chass.utoronto.ca/french/as-sa/ASSA-No20/Article2en.html
La touche intermusicale de la peinture La nausée de Sartre, in Revue d’art et de littérature, musique, Numéro 37 – avril 2008, mensuel, Mazères – France
Le phénomène interartistique, in Semiotica, Journal of the International Association for Semiotic Studies / Revue de l’Association Internationale de Sémiotique, Mouton de Gruyter, Toronto, 2010, ISSN: 1613-3692
Les figures de style interartistiques à travers les Essais de Montaigne, http://www.ens.cm/spip.php?article518, in Syllabus article, Volume 3 (1) 2012, Université de Yaoundé, Cameroun
Proust’s Hawthorn Hedge, in Language, Individual &Society, Volume 12, 2018, pp. 60-68
https://www.scientific-publications.net/get/1000032/1537874058401758.pdf
Selected texts in Michel Butor’s Dictionary
http://henri.desoubeaux.pagesperso-orange.fr/butorweb-g.html
Selected texts on the site of Georges Badin
http://www.georgesbadin.com/2007/02/textes-de-vassilena-kolarova-sur-le-jardin-catalan/
La Textualité littéraire – élémentartistique principal dans La Nauséé de Sartre, p. 235-244, April 2005; presented at the session of the10 Early Fall School of Semiotics, published in Culture and Text, vol. X EFSS, 2004
La vision interartistique à travers le bleu et le jaune de Montaigne à Badin et Butor in Écritures évolutives, entre transgression et innovation, Albi, 6-9 juillet 2009
Quotes from other authors:
Vassilena Kolarova: The Interartistic Concept in Kandinsky’s Paintings. The Image/Text problem, autumn, N 4 2007
Kolarova Vassilena, « The Interartistic Phenomenon as an Intermedial Structure in the Arts», Applied Semiotics, Sémiotique appliquée, , 20, nᵒ 7, Sémiotique et Intermédialité, (February 2008), Toronto, Canada, 5-14
Cited by Henrique Rochelle Universidade Estadual de Campinas in Rethinking Dance Theory Through Semiotics, 2015
This process of association between those involved in the communication of dance as a language is a strong feature of that language, which reaffirms the unity of the triad sign-object-interpretant (for more insight on how the triadic aspect of semiosis is present in artistic communication see Kolarova, 2010), which is a fundamental part of the study in a semiotics frame. In Kalby studijos/ studies about languages n ᵒ 26/2015, CEEOL copyright 2019
Pdf ktu.lt
Cited by Michel Butor
http://henri.desoubeaux.pagesperso-orange.fr/butorweb-g.html#lettre%20k
Kolarova, Vassilena:
- Auteur d’une thèse de doctorat sur le phénomène interartistique (“Le phénomène interartistique dans le texte littéraire / Les Essais de Montaigne et La Modification de Butor”) à la Nouvelle Université Bulgare de Sofia, Vassilena Kolarova a travaillé sur Le Jardin Catalan, livre d’artiste de Michel Butor et Georges Badin. Ses travaux ont notamment été présentés lors du Colloque international de Sozopole du 13 septembre 2006. A ce sujet on peut lire l’article “Le paradis de rêve … Le jardin catalan …” depuis le site de Georges Badin où l’on trouvera d’autres renseignements sur le travail de l’auteur sur Butor.
- “Sémantique des couleurs dans “La Modification” de Michel Butor”, Sledva, revue littéraire, Presses Universitaires de la NUB (Nouvelle Université Bulgare), n° 11, pp.20-30, avril 2005, publié en bulgare.
- “L’indicible sur l’Amérique ou le sublime des oeuvres ineffables”, Applied Semiotics / Sémiotique appliquée , Une Revue internationale de recherche littéraire sur Internet, n°17, juin 2006.
- “Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin”, intervention au colloque “L’univers Butor” de Belo Horizonte, 2011.
Cited by Georges Badin
http://www.georgesbadin.com/texts/textes-de-vassilena-kolarova
Cited by Nuraisyiya Nuraisyiya – Academia.edu, 2016
De l’engagement à l’absurde
…..L’interférence et l’interaction entre les arts fait naître le phénomène interartistique qui fonctionne au niveau global du texte, de même qu’il influence le livre a venir que Roquentin ecrira. (fiche tirée de l’article “La touche intermusicale de la peinture. La Nausee de Sartre de Vassilena Kolarova www.lechasseurabstrait.com/revue/La touche-intermusicale-de-la-peinture-La Nausee)
https://www.academia.edu/9728878/De_lengagement_%C3%A0_labsurde
Cited by Marcus Мота sábado, 30 de março de 2019
Cited in Persée in 2021
