{"id":1135,"date":"2024-07-22T11:19:25","date_gmt":"2024-07-22T08:19:25","guid":{"rendered":"https:\/\/efrench.connectme.bg\/a-propos-de-nous\/"},"modified":"2024-11-27T16:39:44","modified_gmt":"2024-11-27T14:39:44","slug":"a-propos-de-nous","status":"publish","type":"page","link":"https:\/\/efrenchlesson.com\/fr\/a-propos-de-nous\/","title":{"rendered":"\u00c0 propos de nous"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1135\" class=\"elementor elementor-1135 elementor-75\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2dd2b7d8 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2dd2b7d8\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1afea5b4\" data-id=\"1afea5b4\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-159aa283 elementor-widget elementor-widget-heading\" data-id=\"159aa283\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h1 class=\"elementor-heading-title elementor-size-default\">\u00c0 PROPOS DE NOUS<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-277596f1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"277596f1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-44cf35e1\" data-id=\"44cf35e1\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6ab55d4 elementor-align-center elementor-widget elementor-widget-breadcrumbs\" data-id=\"6ab55d4\" data-element_type=\"widget\" data-widget_type=\"breadcrumbs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<link rel=\"stylesheet\" href=\"https:\/\/efrenchlesson.com\/wp-content\/plugins\/pro-elements\/assets\/css\/widget-theme-elements.min.css?ver=1723717330\"><p id=\"breadcrumbs\"><span><span><a href=\"https:\/\/efrenchlesson.com\/fr\/\">Accueil<\/a><\/span><\/span><\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-15c41a8c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"15c41a8c\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;shape_divider_top&quot;:&quot;curve&quot;,&quot;shape_divider_top_negative&quot;:&quot;yes&quot;,&quot;shape_divider_bottom&quot;:&quot;curve&quot;,&quot;shape_divider_bottom_negative&quot;:&quot;yes&quot;}\">\n\t\t\t\t\t<div class=\"elementor-shape elementor-shape-top\" data-negative=\"true\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1000 100\" preserveAspectRatio=\"none\">\n\t<path class=\"elementor-shape-fill\" d=\"M500,97C126.7,96.3,0.8,19.8,0,0v100l1000,0V1C1000,19.4,873.3,97.8,500,97z\"\/>\n<\/svg>\t\t<\/div>\n\t\t\t\t<div class=\"elementor-shape elementor-shape-bottom\" data-negative=\"true\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1000 100\" preserveAspectRatio=\"none\">\n\t<path class=\"elementor-shape-fill\" d=\"M500,97C126.7,96.3,0.8,19.8,0,0v100l1000,0V1C1000,19.4,873.3,97.8,500,97z\"\/>\n<\/svg>\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3d8cef2\" data-id=\"3d8cef2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-63d8b5a elementor-widget elementor-widget-image\" data-id=\"63d8b5a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"174\" height=\"174\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/Dr.-V.-Pellerin-holds-a-Ph.D.png\" class=\"attachment-large size-large wp-image-686\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/Dr.-V.-Pellerin-holds-a-Ph.D.png 174w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/Dr.-V.-Pellerin-holds-a-Ph.D-150x150.png 150w\" sizes=\"(max-width: 174px) 100vw, 174px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-20d822d6 elementor-widget elementor-widget-heading\" data-id=\"20d822d6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Mme V. Pellerin est titulaire d'un doctorat en litt\u00e9rature et art de l'\u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS) \u00e0 Paris.<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7a36d271 elementor-widget elementor-widget-text-editor\" data-id=\"7a36d271\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Ses recherches portent sur la s\u00e9miotique de la litt\u00e9rature et de l&#8217;art fran\u00e7ais. En 1999, elle a obtenu un dipl\u00f4me en litt\u00e9rature fran\u00e7aise \u00e0 l&#8217;universit\u00e9 de Sofia &#8220;St. Kliment Ohridski&#8221;. Elle est titulaire d&#8217;un Master 2 en Didactique du FLE (Fran\u00e7ais langue \u00e9trang\u00e8re) de Paris 3, Universit\u00e9 de la Sorbonne Nouvelle.\u00a0 Mme V. Pellerin a travaill\u00e9 comme professeur \u00e0 l&#8217;Universit\u00e9 catholique de Paris pendant la p\u00e9riode 2015-2017, o\u00f9 elle a enseign\u00e9 des cours de sp\u00e9cialit\u00e9 en fran\u00e7ais, litt\u00e9rature et art, en particulier &#8220;Le ph\u00e9nom\u00e8ne interartistique chez Montaigne et Proust&#8221;. En 2016, elle a \u00e9t\u00e9 admise en histoire de l&#8217;art en deuxi\u00e8me ann\u00e9e du Premier cycle \u00e0 l&#8217;\u00c9cole du Louvre \u00e0 Paris. En 2020, elle obtient une Licence en histoire de l&#8217;art et arch\u00e9ologie \u00e0 l&#8217;universit\u00e9 de Lille, en France.<\/p><p>\u00a0Mme V. Pellerin a forg\u00e9 le terme de &#8220;Ph\u00e9nom\u00e8ne interartistique&#8221; dans le domaine s\u00e9miotique. Le terme a \u00e9t\u00e9 introduit et soutenu pour la premi\u00e8re fois dans son m\u00e9moire de Master 2 en Lettres modernes sur Sartre en 1998 intitul\u00e9 <em>Lire-\u00e9crire, le cheminement spirituel du protagoniste dans \u201cLa Naus\u00e9e\u201d de Sartre<\/em>, et a ensuite \u00e9t\u00e9 d\u00e9fendu et approfondi dans son travail <em>Le ph\u00e9nom\u00e8ne interartistique \u00e0 travers les \u201cEssais\u201d de Montaigne<\/em>, Berne, 2018. [<em>The Interartistic Phenomenon through Montaigne&#8217;s Essays<\/em>, Bern, 2018.] Son concept de ph\u00e9nom\u00e8ne interartistique diff\u00e8re de l&#8217;intertextualit\u00e9 car il concerne exclusivement les arts. Le ph\u00e9nom\u00e8ne interartistique explique, d&#8217;un point de vue th\u00e9orique, la relation fondamentale entre les arts dans n&#8217;importe quel domaine artistique.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-67dfda2 elementor-widget elementor-widget-image\" data-id=\"67dfda2\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"174\" height=\"174\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/11\/Dr.-V.-Pellerin-holds-a-Ph.D-2-2-2.png\" class=\"attachment-large size-large wp-image-1806\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/11\/Dr.-V.-Pellerin-holds-a-Ph.D-2-2-2.png 174w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/11\/Dr.-V.-Pellerin-holds-a-Ph.D-2-2-2-150x150.png 150w\" sizes=\"(max-width: 174px) 100vw, 174px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8bf327b elementor-widget elementor-widget-heading\" data-id=\"8bf327b\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">M. P. Pellerin est un Fran\u00e7ais n\u00e9 \u00e0 Lyon. Il a \u00e9tudi\u00e9 la Comptabilit\u00e9 et la Gestion, ainsi que les \u00c9tudes Comptables et Financi\u00e8res \u00e0 CRESPA - Groupe Sciences U. M.<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8c3c094 elementor-widget elementor-widget-text-editor\" data-id=\"8c3c094\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>P. Pellerin a occup\u00e9 le poste de Responsable Administratif et Financier pendant plus de dix ans en France. Il a travaill\u00e9 chez Jacomex SAS de 1998 \u00e0 2011, au Groupe Sylvia Terrade de 2011 \u00e0 2017, puis chez Alorem jusqu\u2019en 2020. Dans son travail, il \u00e9tait charg\u00e9 de superviser les finances de diff\u00e9rentes entreprises. Ses t\u00e2ches quotidiennes comprenaient la coordination de la comptabilit\u00e9, l\u2019\u00e9laboration de rapports financiers, des \u00e9tats de tr\u00e9sorerie et des pr\u00e9visions de b\u00e9n\u00e9fices.<\/p><p>En tant que membre de l\u2019Acad\u00e9mie fran\u00e7aise Interart, il enseigne des cours sp\u00e9cialis\u00e9s de fran\u00e7ais, notamment le Fran\u00e7ais des affaires, qui se concentre sur le monde professionnel. Comme de grandes entreprises internationales font partie de son champ professionnel, M. P. Pellerin sera votre guide dans le langage des affaires et des termes comptables. De plus, il peut avoir des d\u00e9bats politiques avec vous, discuter de th\u00e8mes contemporains et commenter avec vous l\u2019actualit\u00e9. Pour les \u00e9tudiants qui s\u2019int\u00e9ressent au langage des m\u00e9dias, il abordera des sujets sur la vie quotidienne en France et les actualit\u00e9s mondiales. Toujours \u00e0 la pointe de l\u2019actualit\u00e9 et bien inform\u00e9, vous pourrez \u00e9changer avec lui sur des articles de journaux.<\/p><p>M. P. Pellerin enseigne divers sujets dans le cadre de ses cours sp\u00e9cialis\u00e9s, y compris la \u201ehaute cuisine\u201c. En tant que natif de Lyon, la capitale mondiale de la gastronomie, il vous fera d\u00e9couvrir les traditions locales et vous initiera aux recettes des chefs \u00e9toil\u00e9s Michelin comme Paul Bocuse et Georges Blanc. Le d\u00e9partement de l\u2019Ain, dont la sp\u00e9cialit\u00e9 la plus connue est le poulet de Bresse \u00e0 la cr\u00e8me et aux morilles, est \u00e9galement riche en produits gastronomiques labellis\u00e9s, comme le Bleu de Bresse, un fromage bleu produit pour la premi\u00e8re fois dans cette r\u00e9gion.<\/p><p>M. P. Pellerin propose \u00e9galement des cours li\u00e9s aux monuments historiques et culturels de la France. Il a grandi dans la r\u00e9gion de la Bresse, c\u00e9l\u00e8bre pour le mus\u00e9e de Brou et son architecture exceptionnelle. Le Monast\u00e8re royal de Brou est un chef-d\u2019\u0153uvre de l\u2019architecture gothique flamboyante. C\u2019est \u00e9galement la r\u00e9gion o\u00f9 est n\u00e9 le comte Antoine de Saint-Exup\u00e9ry, l\u2019\u00e9crivain du <em>Petit Prince<\/em>. Son ch\u00e2teau se trouve \u00e0 Saint-Maurice-de-R\u00e9mens, o\u00f9 il passait ses vacances enfant, et un mus\u00e9e en son honneur sera bient\u00f4t inaugur\u00e9. Comme l\u2019a confi\u00e9 l\u2019\u00e9crivain : \u00ab On est de son enfance comme on est de son pays \u00bb.<\/p><p>M. P. Pellerin vous enseignera l\u2019histoire du pays et enrichira vos connaissances sur la France. Les cours de conversation et d\u2019expression orale pour les niveaux C1 et C2 figurent parmi ses sp\u00e9cialit\u00e9s.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c497817 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c497817\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-c4f9fda\" data-id=\"c4f9fda\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7f47bac elementor-widget elementor-widget-text-editor\" data-id=\"7f47bac\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:30,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Publications:<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-53a6931 elementor-widget elementor-widget-heading\" data-id=\"53a6931\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:60,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Livres:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-18d1168b elementor-widget elementor-widget-image\" data-id=\"18d1168b\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:110,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"468\" height=\"292\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/c404dba19dab987b5b54af9660665cc7.jpg\" class=\"attachment-full size-full wp-image-693\" alt=\"c404dba19dab987b5b54af9660665cc7\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/c404dba19dab987b5b54af9660665cc7.jpg 468w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/c404dba19dab987b5b54af9660665cc7-300x187.jpg 300w\" sizes=\"(max-width: 468px) 100vw, 468px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-520fe6d\" data-id=\"520fe6d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bb47ed0 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"bb47ed0\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Capa_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 512 512\" style=\"enable-background:new 0 0 512 512;\" xml:space=\"preserve\"><g>\t<g>\t\t<path 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elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"9f0542a\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.23.0 - 05-08-2024 *\/\n.elementor-widget-image-box .elementor-image-box-content{width:100%}@media (min-width:768px){.elementor-widget-image-box.elementor-position-left .elementor-image-box-wrapper,.elementor-widget-image-box.elementor-position-right .elementor-image-box-wrapper{display:flex}.elementor-widget-image-box.elementor-position-right .elementor-image-box-wrapper{text-align:end;flex-direction:row-reverse}.elementor-widget-image-box.elementor-position-left .elementor-image-box-wrapper{text-align:start;flex-direction:row}.elementor-widget-image-box.elementor-position-top .elementor-image-box-img{margin:auto}.elementor-widget-image-box.elementor-vertical-align-top .elementor-image-box-wrapper{align-items:flex-start}.elementor-widget-image-box.elementor-vertical-align-middle .elementor-image-box-wrapper{align-items:center}.elementor-widget-image-box.elementor-vertical-align-bottom .elementor-image-box-wrapper{align-items:flex-end}}@media (max-width:767px){.elementor-widget-image-box .elementor-image-box-img{margin-left:auto!important;margin-right:auto!important;margin-bottom:15px}}.elementor-widget-image-box .elementor-image-box-img{display:inline-block}.elementor-widget-image-box .elementor-image-box-title a{color:inherit}.elementor-widget-image-box .elementor-image-box-wrapper{text-align:center}.elementor-widget-image-box .elementor-image-box-description{margin:0}<\/style><div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"236\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/fc64ddd8f63edc325f09f26236299bc3.jpg\" class=\"attachment-full size-full wp-image-699\" alt=\"\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\">Le ph\u00e9nom\u00e8ne interartistique \u00e0 travers les \"Essais\" de Montaigne et \"Mobile\" de Butor, \"Le jardin catalan\" de Butor et Badin..., Espace & Forme, Sofia, 2007, version fran\u00e7aise \u00e0 la Biblioth\u00e8que Romain Garry de Nice, Collection Michel Butor. ], ISBN: 9789548500050<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4f20ce9 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"4f20ce9\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Capa_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 512 512\" style=\"enable-background:new 0 0 512 512;\" xml:space=\"preserve\"><g>\t<g>\t\t<path d=\"M393.162,7.317L251.159,43.547H148.617V0.658H0v510.684h289.255V214.76l75.497,295.907L512,473.099L393.162,7.317z    M108.72,471.445H39.897v-39.897h68.823V471.445z M108.72,391.651H39.897V120.349h68.823V391.651z M108.72,80.452H39.897V40.555   h68.823V80.452z M249.358,471.445h-100.74v-39.897h100.74V471.445z M249.358,391.651h-100.74V163.239h100.74V391.651z    M249.358,123.342h-100.74V83.445h100.74V123.342z M294.435,73.68l69.932-17.841l9.53,37.353l-69.932,17.842L294.435,73.68z    M313.829,149.694l69.932-17.842l60.293,236.312l-69.933,17.842L313.829,149.694z M383.985,424.666l69.932-17.842l9.562,37.48   l-69.932,17.841L383.985,424.666z\"><\/path>\t<\/g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cd8e3b4 elementor-position-left elementor-position-left elementor-vertical-align-middle elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"cd8e3b4\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"832\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/eeed345f085d72f06dd885ef265477bd.png\" class=\"attachment-full size-full wp-image-710\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/eeed345f085d72f06dd885ef265477bd.png 640w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/eeed345f085d72f06dd885ef265477bd-231x300.png 231w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\">The Interartistic phenomenon through Montaigne\u2019s Essays, Peter Lang, Bern, 2018\nISBN\u200f: \u200e 978-3034333177<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cf3d3a5 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"cf3d3a5\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Capa_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 512 512\" style=\"enable-background:new 0 0 512 512;\" xml:space=\"preserve\"><g>\t<g>\t\t<path d=\"M393.162,7.317L251.159,43.547H148.617V0.658H0v510.684h289.255V214.76l75.497,295.907L512,473.099L393.162,7.317z    M108.72,471.445H39.897v-39.897h68.823V471.445z M108.72,391.651H39.897V120.349h68.823V391.651z M108.72,80.452H39.897V40.555   h68.823V80.452z M249.358,471.445h-100.74v-39.897h100.74V471.445z M249.358,391.651h-100.74V163.239h100.74V391.651z    M249.358,123.342h-100.74V83.445h100.74V123.342z M294.435,73.68l69.932-17.841l9.53,37.353l-69.932,17.842L294.435,73.68z    M313.829,149.694l69.932-17.842l60.293,236.312l-69.933,17.842L313.829,149.694z M383.985,424.666l69.932-17.842l9.562,37.48   l-69.932,17.841L383.985,424.666z\"><\/path>\t<\/g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bacc417 elementor-position-left elementor-position-left elementor-vertical-align-middle elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"bacc417\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img loading=\"lazy\" decoding=\"async\" width=\"648\" height=\"885\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/c0f81cb18944b1621e72a872e2e01577.png\" class=\"attachment-full size-full wp-image-709\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/c0f81cb18944b1621e72a872e2e01577.png 648w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/c0f81cb18944b1621e72a872e2e01577-220x300.png 220w\" sizes=\"(max-width: 648px) 100vw, 648px\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\">L\u2019interpicturalit\u00e9 dans la s\u00e9miotique de l\u2019art, Aracne editrice, Rome, 2019 \n<br>ISBN\u200f: \u200e 978-8825521108<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6edeac2 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"6edeac2\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Capa_1\" x=\"0px\" y=\"0px\" viewBox=\"0 0 512 512\" style=\"enable-background:new 0 0 512 512;\" xml:space=\"preserve\"><g>\t<g>\t\t<path d=\"M393.162,7.317L251.159,43.547H148.617V0.658H0v510.684h289.255V214.76l75.497,295.907L512,473.099L393.162,7.317z    M108.72,471.445H39.897v-39.897h68.823V471.445z M108.72,391.651H39.897V120.349h68.823V391.651z M108.72,80.452H39.897V40.555   h68.823V80.452z M249.358,471.445h-100.74v-39.897h100.74V471.445z M249.358,391.651h-100.74V163.239h100.74V391.651z    M249.358,123.342h-100.74V83.445h100.74V123.342z M294.435,73.68l69.932-17.841l9.53,37.353l-69.932,17.842L294.435,73.68z    M313.829,149.694l69.932-17.842l60.293,236.312l-69.933,17.842L313.829,149.694z M383.985,424.666l69.932-17.842l9.562,37.48   l-69.932,17.841L383.985,424.666z\"><\/path>\t<\/g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><g><\/g><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-659afcb elementor-position-left elementor-position-left elementor-vertical-align-middle elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"659afcb\" data-element_type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"864\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/537ee88c1a01d3e694374df25551f34e.png\" class=\"attachment-full size-full wp-image-714\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/537ee88c1a01d3e694374df25551f34e.png 600w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/537ee88c1a01d3e694374df25551f34e-208x300.png 208w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\">Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin, \nAracne editrice, Rome, 2019 \n<br>ISBN \u200f: \u200e 978-8825523447<\/p><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e6f8b26 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e6f8b26\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-21a10ea\" data-id=\"21a10ea\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-80e88e8 elementor-widget elementor-widget-text-editor\" data-id=\"80e88e8\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:30,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Publications s\u00e9lectionn\u00e9es :<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-77e675a elementor-widget elementor-widget-heading\" data-id=\"77e675a\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:60,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Participation \u00e0 des congr\u00e8s, colloques et journ\u00e9es d\u2019\u00e9tudes:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-929f14c elementor-widget elementor-widget-image\" data-id=\"929f14c\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:139,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"288\" height=\"192\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/e34619af95df1c1049222d915afd5b28.jpg\" class=\"attachment-full size-full wp-image-718\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-25447f8\" data-id=\"25447f8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ecc42cb elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"ecc42cb\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e7e1b1b elementor-widget elementor-widget-text-editor\" data-id=\"e7e1b1b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>Session du s\u00e9minaire annuel de s\u00e9miotique du Centre Sud-Est \u00e0 la Nouvelle Universit\u00e9 Bulgare de Sofia, pr\u00e9sentation du texte &#8220;La sonorit\u00e9 inters\u00e9miotique de la th\u00e9orie et des dessins de Kandinsky&#8221;, avril 2003.<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-280ab76 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"280ab76\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-be3cad4 elementor-widget elementor-widget-text-editor\" data-id=\"be3cad4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>9\u00e8me \u00e9dition du Colloque International de S\u00e9miotique de l&#8217;Automne &#8220;Saints Cyrique et Julita&#8221;, 2003 \u00e0 la table ronde organis\u00e9e par Laura Shumkova, invit\u00e9 sp\u00e9cial Harri Veivo, Universit\u00e9 d&#8217;Helsinki, &#8220;La Textualit\u00e9 litt\u00e9raire \u2013 \u00e9l\u00e9ment artistique principal dans La Naus\u00e9\u0435 de Sartre&#8221;.<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b6a0c6f elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"b6a0c6f\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f7b58f2 elementor-widget elementor-widget-text-editor\" data-id=\"f7b58f2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>The Signs of the World, Interculture and Globalisation \u2013 8<sup>th<\/sup> International Congress of the International Association of Semiotics<\/em>, <em>\u201cThe Globalization of the Sensitivity\u201d\/La globalisation de la sensibilit\u00e9<\/em>, <em>\u201cSemanitics of Colors in \u201cThe Modification\u201d by Michel Butor\/<\/em>\u201cS\u00e9mantique des couleurs dans &#8220;La Modification&#8221; de Michel Butor\u201d, p.541-p.542, 2004; <em>The Interface of Images and Verbal Signs\/L\u2019interface des images et des signes verbaux, <\/em>\u201cInterartistic Traits in the \u201cAutoportrait\u201c of Montaigne\/Traits interartistiques dans &#8220;L&#8217;Autoportrait&#8221; de Montaigne\u201d, p.556-p.557, 2004 at the Lumi\u00e8re II University of Lyon<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fbf193f elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"fbf193f\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2a18bf2 elementor-widget elementor-widget-text-editor\" data-id=\"2a18bf2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>L\u2019interface des images et des signes verbaux<\/em>, \u201cTraits interartistiques dans &#8220;L&#8217;Autoportrait&#8221; de Montaigne\u201d, p.556-p.557, 2004 \u00e0 l\u2019Universit\u00e9 Lumi\u00e8re II de Lyon<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0d80727 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"0d80727\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-68813da elementor-widget elementor-widget-text-editor\" data-id=\"68813da\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>12 Early Fall School of Semiotics, &#8220;The Dreamed paradise of Michel Butor&#8221;[12 \u00c9cole de s\u00e9miotique du d\u00e9but de l&#8217;automne, &#8220;Le paradis r\u00eav\u00e9 de Michel Butor&#8221;], Contribution pr\u00e9sent\u00e9e \u00e0 la 12\u00e8me \u00e9dition du Congr\u00e8s International \u00e0 Sozopol, le 13 septembre 2006.<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9b7c33f elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"9b7c33f\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9279621 elementor-widget elementor-widget-text-editor\" data-id=\"9279621\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>An International, Interdisciplinary Conference on Text and Image<\/em>, March 29-30, 2007, at Central Connecticut State University in New Britain, CT, USA, \u201cThe Interartistic phenomenon in the Catalonian garden of Georges Badin and Michel Butor\u201d<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-80eee6a elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"80eee6a\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-434a08e elementor-widget elementor-widget-text-editor\" data-id=\"434a08e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>75<sup>th <\/sup>ACFAS Congress, Trois-Rivi\u00e8res University, in cooperation with Students Forum of the Interdisciplinary Research Centre,<\/em> edition 2007, 7 May 2007, \u201cSeeing the Text, Reading the Image: the Intermediality in Work\/\u00ab\u00a0Voir le texte, lire l\u2019image\u00a0: de l\u2019interm\u00e9dialit\u00e9 \u00e0 l\u2019\u0153uvre\u00a0\u201c, Exploring the Interartistic Boundaries\/Explorer les fronti\u00e8res interartistiques, \u00ab\u00a0Les Compositions interpicturales de Kandinsky\u00a0\u00bb<em>,<\/em> [Kandinsky\u2019s Interpictural Compositions],\u00a0 New Bulgarian University, Canada<\/p><p><a href=\"https:\/\/www.ledevoir.com\/societe\/science\/142185\/75e-congres-de-l-acfas-l-excellence-pour-une-region\">https:\/\/www.ledevoir.com\/societe\/science\/142185\/75e-congres-de-l-acfas-l-excellence-pour-une-region<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0d9a669 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"0d9a669\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cd1c2bf elementor-widget elementor-widget-text-editor\" data-id=\"cd1c2bf\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>9th World Congress of IASS\/AIS<\/em><em>,<\/em> June 11-17, 2007 at the University of Helsinki and at International Semiotics Institute at Imatra \u201cInterpictoriality and intermusicality in the interartistic text of &#8220;Nausea\u201c,<\/p><p>\u00a0<a href=\"https:\/\/www.yumpu.com\/en\/document\/view\/13829646\/fabbri-paolo-danesi-marcel-knuuttila-tarja-brax-klaus-helsinkifi\">https:\/\/www.yumpu.com\/en\/document\/view\/13829646\/fabbri-paolo-danesi-marcel-knuuttila-tarja-brax-klaus-helsinkifi<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-13480c1 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"13480c1\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8df6e08 elementor-widget elementor-widget-text-editor\" data-id=\"8df6e08\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>6th National Congress and 3<sup>rd<\/sup>\u00a0 International Congress of Sema, 7<sup>th<\/sup> Interdisciplinary Symmetry Congress and exhibition of ISIS-symmetry<\/em>, 11 to 17\u00a0 de November 2007, Faculty of Architecture, Design and Urbanism, University of Buenos Aires, University Campus, Nunez, Building 3,4<sup>th<\/sup> floor, City of Buenos Aires, Argentina, Subject of the Congress, Form &amp; Symmerty : Art and Science.<em> \u201c<\/em>The interartistic phenomenon\u201d,<\/p><p><a href=\"http:\/\/www.planum.net\/events-news\/form-and-symmetry-2007-art-and-science\">http:\/\/www.planum.net\/events-news\/form-and-symmetry-2007-art-and-science<\/a><\/p><p><a href=\"http:\/\/www.mi.sanu.ac.rs\/vismath\/BA2007\/sym55.pdf\">http:\/\/www.mi.sanu.ac.rs\/vismath\/BA2007\/sym55.pdf<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5d59802 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"5d59802\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ca8a0ae elementor-widget elementor-widget-text-editor\" data-id=\"ca8a0ae\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>XXX<sup>e<\/sup> Colloque d\u2019Albi Langages et Signification<\/em>, \u201cLa vision interartistique \u00e0 travers le bleu et le jaune de Montaigne \u00e0 Badin et Butor\u201d<em>, <\/em>Albi, 6-9 juillet 2009<\/p><p><a href=\"https:\/\/issuu.com\/walterap\/docs\/cals2010\">https:\/\/issuu.com\/walterap\/docs\/cals2010<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bb1b08d elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"bb1b08d\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cc7dee1 elementor-widget elementor-widget-text-editor\" data-id=\"cc7dee1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>9\u00e8me Congr\u00e8s de l\u2019Association Internationale\u00a0de S\u00e9miotique, AISV<\/em>, Venise, 13\u201416 avril 2010, \u201cLe jardin des arts\u201d.<\/p><p><a href=\"https:\/\/aisviavs.files.wordpress.com\/2013\/04\/aisv2010program.pdf\">https:\/\/aisviavs.files.wordpress.com\/2013\/04\/aisv2010program.pdf<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2f67fc3 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"2f67fc3\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-87127ce elementor-widget elementor-widget-text-editor\" data-id=\"87127ce\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Intervention au colloque &#8220;<a href=\"http:\/\/henri.desoubeaux.pagesperso-orange.fr\/butorweb-a.html#Coorganisateur%20avec%20Marcia\">L&#8217;univers Butor<\/a>&#8221; de Belo Horizonte, 2011, &#8220;Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et <a href=\"http:\/\/henri.desoubeaux.pagesperso-orange.fr\/butorweb-b.html#Badin-Georges\">Badin<\/a>&#8220;,<\/p><p><a href=\"https:\/\/dictionnaire.butor.ch\/butorweb-g.html#lettre%20k\">https:\/\/dictionnaire.butor.ch\/butorweb-g.html#lettre%20k<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fccc72b elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"fccc72b\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-affffba elementor-widget elementor-widget-text-editor\" data-id=\"affffba\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>Xe Congr\u00e8s de l\u2019Association internationale de s\u00e9miotique visuelle AISV-IAVS<\/em> en 2012, du mardi 4 au samedi 8 septembre 2012, Facult\u00e9 de droit, Universit\u00e9 de Buenos Aires,<\/p><p>\u201cLe chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin\u201d.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0300c75 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"0300c75\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8957f74 elementor-widget elementor-widget-text-editor\" data-id=\"8957f74\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>International congress,<\/em><em> Language, Individual &amp; Society,<\/em> Varna, 2018<\/p><p>\u201cProust\u2019s Hawthorn Hedge\u201d,<\/p><p><a href=\"https:\/\/www.scientific-publications.net\/en\/article\/1001767\/\">https:\/\/www.scientific-publications.net\/en\/article\/1001767\/<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-25f86d2 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"25f86d2\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-comments\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M416 192c0-88.4-93.1-160-208-160S0 103.6 0 192c0 34.3 14.1 65.9 38 92-13.4 30.2-35.5 54.2-35.8 54.5-2.2 2.3-2.8 5.7-1.5 8.7S4.8 352 8 352c36.6 0 66.9-12.3 88.7-25 32.2 15.7 70.3 25 111.3 25 114.9 0 208-71.6 208-160zm122 220c23.9-26 38-57.7 38-92 0-66.9-53.5-124.2-129.3-148.1.9 6.6 1.3 13.3 1.3 20.1 0 105.9-107.7 192-240 192-10.8 0-21.3-.8-31.7-1.9C207.8 439.6 281.8 480 368 480c41 0 79.1-9.2 111.3-25 21.8 12.7 52.1 25 88.7 25 3.2 0 6.1-1.9 7.3-4.8 1.3-2.9.7-6.3-1.5-8.7-.3-.3-22.4-24.2-35.8-54.5z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ee9802a elementor-widget elementor-widget-text-editor\" data-id=\"ee9802a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>14th World Congress of Semiotics 2019 of the International Association of Semiotics Studies,<\/em> Buenos Aires, 9-13 September 2019, \u201cLes couleurs chez Butor et Badin et les lettres cyrilliques\u201d,<\/p><p><a href=\"https:\/\/www.worldcongressofsemiotics2019.org\/sites\/www.worldcongressofsemiotics2019.org\/files\/programa_14_world_congress_of_semiotics.pdf\">https:\/\/www.worldcongressofsemiotics2019.org\/sites\/www.worldcongressofsemiotics2019.org\/files\/programa_14_world_congress_of_semiotics.pdf<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6362265 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6362265\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-a78f7f3\" data-id=\"a78f7f3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d9d15e3 elementor-widget elementor-widget-text-editor\" data-id=\"d9d15e3\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:30,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Publications s\u00e9lectionn\u00e9es :<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8741f3f elementor-widget elementor-widget-heading\" data-id=\"8741f3f\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:60,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Articles dans des revues et chapitres d\u2019ouvrages (\u00e0 comit\u00e9 de lecture):<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7f571c4 elementor-widget elementor-widget-image\" data-id=\"7f571c4\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:139,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"474\" height=\"614\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/476fd221cf366d196735477ecebd8415.jpg\" class=\"attachment-full size-full wp-image-767\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/476fd221cf366d196735477ecebd8415.jpg 474w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/476fd221cf366d196735477ecebd8415-232x300.jpg 232w\" sizes=\"(max-width: 474px) 100vw, 474px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-cd6f6a6\" data-id=\"cd6f6a6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c75ea4e elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"c75ea4e\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a019075 elementor-widget elementor-widget-text-editor\" data-id=\"a019075\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Le jardin des arts \u00e0 travers <em>Les Essais<\/em> de Montaigne, in <em>Retorica del visibile<\/em>, Aracne editrice, Rome, 2011, ISBN: \u200e978-8854838505<\/p><p><a href=\"http:\/\/www.aracneeditrice.it\/index.php\/autori.html?auth-id=250930\">http:\/\/www.aracneeditrice.it\/index.php\/autori.html?auth-id=250930<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2a213a9 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"2a213a9\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-63fc4fd elementor-widget elementor-widget-text-editor\" data-id=\"63fc4fd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>The Interartistic Phenomenon in the <em>Catalonian garden<\/em>, in <em>Picturing the language of Images<\/em>, Cambridge Scholars Publishing, Cambridge, 2013<\/p><p><a href=\"https:\/\/www.mun.ca\/faculty\/npedri\/selected_publications\/PicturingtheLanguageofImages.php\">https:\/\/www.mun.ca\/faculty\/npedri\/selected_publications\/PicturingtheLanguageofImages.php<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5b2dea2 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"5b2dea2\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-19cdaa4 elementor-widget elementor-widget-text-editor\" data-id=\"19cdaa4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Semantics of Colours in <em>The Modification<\/em> by Michel Butor, April 2005 in <em>Sledva<\/em>, literature review, New Bulgarian University press, n11, p. 20-30<\/p><p><a href=\"https:\/\/kulturni-novini.info\/sections\/4\/news\/868-sledva-spisanie-za-universitetska-kultura-broy-11\">https:\/\/kulturni-novini.info\/sections\/4\/news\/868-sledva-spisanie-za-universitetska-kultura-broy-11<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7502786 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"7502786\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-724cf43 elementor-widget elementor-widget-text-editor\" data-id=\"724cf43\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>\u201cThe Autoportrait\u201d of Montaigne\/Traits interartistiques dans &#8220;L&#8217;Autoportrait&#8221; de Montaigne in <em>Art<\/em>, Yearbook (2<sup>nd<\/sup> volume) of the Art History Department of the New Bulgarian University, Interartistic Traits, December, 2005<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-18c5e23 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"18c5e23\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2100729 elementor-widget elementor-widget-text-editor\" data-id=\"2100729\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>The Mental Castle of Michel Butor, Dedicated to the 80<sup>th<\/sup> Anniversary of the Author\u00bb in <em>CULTURE<\/em> weekly journal, 12<sup>th<\/sup> May 2006, number 18, references on the Exhibition of the 13 artists around Butor\u00a0 <a href=\"https:\/\/newspaper.kultura.bg\/bg\/article\/view\/11774\">https:\/\/newspaper.kultura.bg\/bg\/article\/view\/11774<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-616c6eb elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"616c6eb\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3dcd80f elementor-widget elementor-widget-text-editor\" data-id=\"3dcd80f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>L\u2019indicible chez Michel Butor\u00a0, L\u2019indicible sur l\u2019Am\u00e9rique ou le sublime des \u0153uvres ineffables,\u201d in<em> Applied Semiotics, S\u00e9miotique appliqu\u00e9e, An International Review of the Literary Research on the Internet\/Une revue internationale de recherche litt\u00e9raire sur Internet, Number 17, Volume 7, Semiotics, Religion and Ideology\/S\u00e9miotique, religion et id\u00e9ologie, <\/em>June 2006, Toronto, Canada<\/p><p><a href=\"http:\/\/french.chass.utoronto.ca\/as-sa\/ASSA-No17\/Article4fr.html\">http:\/\/french.chass.utoronto.ca\/as-sa\/ASSA-No17\/Article4fr.html<\/a><\/p><p><a href=\"https:\/\/books.google.com\/books\/about\/French_XX_Bibliography.html?id=-H2_BNvAKWkC\">https:\/\/books.google.com\/books\/about\/French_XX_Bibliography.html?id=-H2_BNvAKWkC<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e9e5ab6 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"e9e5ab6\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-892c8cb elementor-widget elementor-widget-text-editor\" data-id=\"892c8cb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Michel Butor, \u00e0 l&#8217;occasion de son 80\u00e8me anniversaire, dans le <em>Journal Litt\u00e9raire<\/em>, octobre 2006<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-953585e elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"953585e\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-456476b elementor-widget elementor-widget-text-editor\" data-id=\"456476b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Le paradis de r\u00eave &#8230; Le Jardin Catalan&#8230;, in Probl\u00e8mes de l&#8217;art, revue de l&#8217;Acad\u00e9mie bulgare des sciences, \u00e9dition du d\u00e9partement d&#8217;histoire de l&#8217;art num\u00e9ro 3, 2006, Sofia<\/p><p><a href=\"http:\/\/artstudies.bg\/wp-content\/uploads\/2015\/12\/ContentSummaries-48.pdf\">http:\/\/artstudies.bg\/wp-content\/uploads\/2015\/12\/ContentSummaries-48.pdf<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c266ee2 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"c266ee2\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5dee8bb elementor-widget elementor-widget-text-editor\" data-id=\"5dee8bb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Le Paradis de r\u00eave&#8230;Le Jardin Catalan&#8230;, in <em>Passage d\u2019encres, <\/em>N 27, Paris, f\u00e9vrier 2007<\/p><p>ISBN\u00a0: 978-2-913640-66-5<\/p><p><a href=\"https:\/\/www.marche-poesie.com\/27-archipel-des-possibles\/\">https:\/\/www.marche-poesie.com\/27-archipel-des-possibles\/<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5804e5 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"b5804e5\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ccff724 elementor-widget elementor-widget-text-editor\" data-id=\"ccff724\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>The Interartistic Concept in Kandinsky\u2019s Paintings The Image\/Text problem in <em>Amsterdam International Electronic Journal for Cultural Narratology<\/em>, autumn, N 4 2007, <a href=\"http:\/\/cf.hum.uva.nl\/narratology\/a07_kolarova.htm\">http:\/\/cf.hum.uva.nl\/narratology\/a07_kolarova.htm<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f6bdad1 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"f6bdad1\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9df1cb4 elementor-widget elementor-widget-text-editor\" data-id=\"9df1cb4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>The Interartistic Phenomenon as an Intermedial Structure in the Arts, in <em>Applied<\/em> <em>Semiotics, S\u00e9miotique appliqu\u00e9e,<\/em> Une revue internationale de recherche litt\u00e9raire sur Internet, Num\u00e9ro 20, Volume 7, S\u00e9miotique et Interm\u00e9dialit\u00e9, f\u00e9vrier 2008, Toronto, Canada<\/p><p><a href=\"http:\/\/www.chass.utoronto.ca\/french\/as-sa\/ASSA-No20\/Article2en.html\"><em>http:\/\/www.chass.utoronto.ca\/french\/as-sa\/ASSA-No20\/Article2en.html<\/em><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dc505a3 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"dc505a3\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d3c378f elementor-widget elementor-widget-text-editor\" data-id=\"d3c378f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>La touche intermusicale de la peinture La naus\u00e9e de Sartre, in <em>R<\/em><em>evue d\u2019art et de litt\u00e9rature, musique<\/em>, Num\u00e9ro 37 &#8211; avril 2008, mensuel, Maz\u00e8res &#8211; France<\/p><p><a href=\"http:\/\/lechasseurabstrait.com\/revue\/spip.php?article1864\"><em>http:\/\/lechasseurabstrait.com\/revue\/spip.php?article1864<\/em><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c200a39 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"c200a39\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f8dfafd elementor-widget elementor-widget-text-editor\" data-id=\"f8dfafd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Le ph\u00e9nom\u00e8ne interartistique, in <em>Semiotica, Journal of the International Association for Semiotic Studies \/ Revue de l&#8217;Association Internationale de S\u00e9miotique<\/em>, Mouton de Gruyter, Toronto, 2010, ISSN:\u00a01613-3692<\/p><p><a href=\"https:\/\/www.degruyter.com\/journal\/key\/semi\/2010\/180\/html\">https:\/\/www.degruyter.com\/journal\/key\/semi\/2010\/180\/html<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3be3580 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"3be3580\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c541d80 elementor-widget elementor-widget-text-editor\" data-id=\"c541d80\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Les figures de style interartistiques \u00e0 travers les Essais de Montaigne, <a href=\"http:\/\/www.ens.cm\/spip.php?article518\">http:\/\/www.ens.cm\/spip.php?article518<\/a>, in <em>Syllabus<\/em> article, Volume 3 (1) 2012, Universit\u00e9 de Yaound\u00e9, Cameroun<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7ead89 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"b7ead89\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-110cf2c elementor-widget elementor-widget-text-editor\" data-id=\"110cf2c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Proust\u2019s Hawthorn Hedge, in <em>Language, Individual &amp;Society<\/em>, Volume 12, 2018, pp. 60-68<\/p><p><a href=\"https:\/\/www.scientific-publications.net\/get\/1000032\/1537874058401758.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/www.scientific-publications.net\/get\/1000032\/1537874058401758.pdf<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bffd045 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"bffd045\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6ddc2a2 elementor-widget elementor-widget-text-editor\" data-id=\"6ddc2a2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Selected texts in Michel Butor\u2019s Dictionary<\/p><p><a href=\"http:\/\/henri.desoubeaux.pagesperso-orange.fr\/butorweb-g.html\">http:\/\/henri.desoubeaux.pagesperso-orange.fr\/butorweb-g.html<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-41c5430 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"41c5430\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1632b73 elementor-widget elementor-widget-text-editor\" data-id=\"1632b73\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Selected texts on the site of Georges Badin<\/p><p><a href=\"http:\/\/www.georgesbadin.com\/2007\/02\/textes-de-vassilena-kolarova-sur-le-jardin-catalan\/\">http:\/\/www.georgesbadin.com\/2007\/02\/textes-de-vassilena-kolarova-sur-le-jardin-catalan\/<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-68d8849 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"68d8849\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-42249f8 elementor-widget elementor-widget-text-editor\" data-id=\"42249f8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>La Textualit\u00e9 litt\u00e9raire &#8211; \u00e9l\u00e9mentartistique principal dans <em>La<\/em> <em>Naus\u00e9\u00e9 <\/em>de Sartre, p. 235-244, April 2005; presented at the session of the<em>10 Early Fall School of Semiotics, <\/em>published in <em>Culture and Text, <\/em>vol. X EFSS, 2004<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3b1e9d0 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"3b1e9d0\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-far-newspaper\" viewBox=\"0 0 576 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M552 64H112c-20.858 0-38.643 13.377-45.248 32H24c-13.255 0-24 10.745-24 24v272c0 30.928 25.072 56 56 56h496c13.255 0 24-10.745 24-24V88c0-13.255-10.745-24-24-24zM48 392V144h16v248c0 4.411-3.589 8-8 8s-8-3.589-8-8zm480 8H111.422c.374-2.614.578-5.283.578-8V112h416v288zM172 280h136c6.627 0 12-5.373 12-12v-96c0-6.627-5.373-12-12-12H172c-6.627 0-12 5.373-12 12v96c0 6.627 5.373 12 12 12zm28-80h80v40h-80v-40zm-40 140v-24c0-6.627 5.373-12 12-12h136c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H172c-6.627 0-12-5.373-12-12zm192 0v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0-144v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12zm0 72v-24c0-6.627 5.373-12 12-12h104c6.627 0 12 5.373 12 12v24c0 6.627-5.373 12-12 12H364c-6.627 0-12-5.373-12-12z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-883263f elementor-widget elementor-widget-text-editor\" data-id=\"883263f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>La vision interartistique \u00e0 travers le bleu et le jaune de Montaigne \u00e0 Badin et Butor\u00a0 in <em>\u00c9critures \u00e9volutives, entre transgression et innovation, <\/em>Albi, 6-9 juillet 2009<a href=\"https:\/\/issuu.com\/walterap\/docs\/cals2010\">https:\/\/issuu.com\/walterap\/docs\/cals2010<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e393174 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e393174\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-45b76b2\" data-id=\"45b76b2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-807ade4 elementor-widget elementor-widget-text-editor\" data-id=\"807ade4\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:30,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Publications s\u00e9lectionn\u00e9es :<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0725f98 elementor-widget elementor-widget-heading\" data-id=\"0725f98\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:60,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Citations d'autres auteurs:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-48e4dd9 elementor-widget elementor-widget-image\" data-id=\"48e4dd9\" data-element_type=\"widget\" data-settings=\"{&quot;sticky&quot;:&quot;top&quot;,&quot;sticky_on&quot;:[&quot;desktop&quot;],&quot;sticky_offset&quot;:120,&quot;sticky_parent&quot;:&quot;yes&quot;,&quot;sticky_effects_offset&quot;:0}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"573\" src=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/7e92ce8e9e57a804bfe100308b842e8e.jpg\" class=\"attachment-full size-full wp-image-780\" alt=\"\" srcset=\"https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/7e92ce8e9e57a804bfe100308b842e8e.jpg 448w, https:\/\/efrenchlesson.com\/wp-content\/uploads\/2024\/07\/7e92ce8e9e57a804bfe100308b842e8e-235x300.jpg 235w\" sizes=\"(max-width: 448px) 100vw, 448px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-8ca6f58\" data-id=\"8ca6f58\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2c299dd elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"2c299dd\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f3d9aca elementor-widget elementor-widget-text-editor\" data-id=\"f3d9aca\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>De p.57 \u00e0 p.61, \u0410. \u041c\u0430hov, March 2012, auteur de l&#8217;article sur V. Kolarova\u00a0\u00a0 <a href=\"https:\/\/cyberleninka.ru\/article\/v\/2012-03-008-kolarova-v-fenomen-interhudozhestvennogo-kolarova-v-le-ph-nomene-interartistique-semiotica-berlin-walter-de-gruyter-2010-h-180-s\">https:\/\/cyberleninka.ru\/article\/v\/2012-03-008-kolarova-v-fenomen-interhudozhestvennogo-kolarova-v-le-ph-nomene-interartistique-semiotica-berlin-walter-de-gruyter-2010-h-180-s<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a31d84f elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"a31d84f\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d8123b1 elementor-widget elementor-widget-text-editor\" data-id=\"d8123b1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>\u00c0 la p.95 dans \u201cDematerialialializing Verbal and Visual matter\u201d in <em>The Aestetic Matter, Modernism, the Avant-Garde and Material Exchange,<\/em> Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson, De Gruyter (October 17, 2013)<\/p><p>\u00a0<a href=\"http:\/\/cf.hum.uva.nl\/narratology\/authors_cv42.html\">Vassilena Kolarova<\/a>: The Interartistic Concept in Kandinsky\u2019s Paintings. The Image\/Text problem, autumn, N 4 2007<\/p><p><a href=\"https:\/\/books.google.bg\/books?id=4SPoBQAAQBAJ&amp;pg=PA95&amp;lpg=PA95&amp;dq=vassilena+kolarova&amp;source=bl&amp;ots=XLIovfsjll&amp;sig=ACfU3U0Q4hYgHt1DSzWlVy_aj5DGs-WPMQ&amp;hl=bg&amp;sa=X&amp;ved=2ahUKEwiXpt_y3O_gAhUrwcQBHYPHBYs4ChDoATADegQIBxAB#v=onepage&amp;q=vassilena%20kolarova&amp;f=false\">https:\/\/books.google.bg\/books?id=4SPoBQAAQBAJ&amp;pg=PA95&amp;lpg=PA95&amp;dq=vassilena+kolarova&amp;source=bl&amp;ots=XLIovfsjll&amp;sig=ACfU3U0Q4hYgHt1DSzWlVy_aj5DGs-WPMQ&amp;hl=bg&amp;sa=X&amp;ved=2ahUKEwiXpt_y3O_gAhUrwcQBHYPHBYs4ChDoATADegQIBxAB#v=onepage&amp;q=vassilena%20kolarova&amp;f=false<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7732b21 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"7732b21\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e0c8629 elementor-widget elementor-widget-text-editor\" data-id=\"e0c8629\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>\u00c0 la p.348 in <em>Collision: Interarts Practice and Research<\/em> David Cecchetto, Nancy Cuthbert, Julie Lassonde, Cambridge Scholars Publishing; Unabridged edition edition (December 1, 2008)<\/p><p>Kolarova Vassilena, \u201cThe Interartistic Phenomenon as an Intermedial Structure in the Arts\u201d , Applied Semiotics, S\u00e9miotique appliqu\u00e9e, , 20, n\u1d52 7, S\u00e9miotique et Interm\u00e9dialit\u00e9, (February 2008), Toronto, Canada, 5-14<\/p><p><a href=\"https:\/\/books.google.bg\/books?id=_pvzBgAAQBAJ&amp;pg=PA348&amp;lpg=PA348&amp;dq=vassilena+kolarova&amp;source=bl&amp;ots=sbRnX6bNV0&amp;sig=ACfU3U3_-7AGFrMAvNFH2zEYiIw7lb-K_w&amp;hl=bg&amp;sa=X&amp;ved=2ahUKEwidmK3qiv3gAhUwTxUIHSEGBwg4FBDoATACegQIAxAB#v=onepage&amp;q=vassilena%20kolarova&amp;f=false\">https:\/\/books.google.bg\/books?id=_pvzBgAAQBAJ&amp;pg=PA348&amp;lpg=PA348&amp;dq=vassilena+kolarova&amp;source=bl&amp;ots=sbRnX6bNV0&amp;sig=ACfU3U3_-7AGFrMAvNFH2zEYiIw7lb-K_w&amp;hl=bg&amp;sa=X&amp;ved=2ahUKEwidmK3qiv3gAhUwTxUIHSEGBwg4FBDoATACegQIAxAB#v=onepage&amp;q=vassilena%20kolarova&amp;f=false<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-68cf8bf elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"68cf8bf\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d383eeb elementor-widget elementor-widget-text-editor\" data-id=\"d383eeb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>On p. 19 628 in EE 3460 Kolarova Vassilena, \u201cL\u2019indicible chez Michel Butor\u201d, Applied Semiotics, n\u1d5217, 64-75 [UE] in <em>French XX Bibliography<\/em> <em>59, Critical and Bibliographical References for the Study of French Literature Since 1885<\/em><\/p><p><a href=\"https:\/\/books.google.bg\/books?id=-H2_BNvAKWkC&amp;pg=PA19628&amp;lpg=PA19628&amp;dq=vassilena+kolarova&amp;source=bl&amp;ots=MNV1ewtWRn&amp;sig=ACfU3U1Q7VTcGBuj1frsn-dtuZiibCvJVg&amp;hl=bg&amp;sa=X&amp;ved=2ahUKEwj08tqTj_3gAhX0tHEKHSkuBvc4HhDoATAFegQIBRAB#v=onepage&amp;q=vassilena%20kolarova&amp;f=false\">https:\/\/books.google.bg\/books?id=-H2_BNvAKWkC&amp;pg=PA19628&amp;lpg=PA19628&amp;dq=vassilena+kolarova&amp;source=bl&amp;ots=MNV1ewtWRn&amp;sig=ACfU3U1Q7VTcGBuj1frsn-dtuZiibCvJVg&amp;hl=bg&amp;sa=X&amp;ved=2ahUKEwj08tqTj_3gAhX0tHEKHSkuBvc4HhDoATAFegQIBRAB#v=onepage&amp;q=vassilena%20kolarova&amp;f=false<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f7c1a09 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"f7c1a09\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-abe43f1 elementor-widget elementor-widget-text-editor\" data-id=\"abe43f1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par le peintre Deborah Gavel, 2016<\/p><p>Cette \u00e9tude suppose d&#8217;appeler ainsi le ph\u00e9nom\u00e8ne d\u00e9clenchant la beaut\u00e9 spirituelle et physique, que toute personne touch\u00e9e par l&#8217;art est en mesure de ressentir, \u00e0 partir du moment o\u00f9 elle est en mesure de le faire. La beaut\u00e9 physique, que toute personne touch\u00e9e par l&#8217;art est en mesure de ressentir, \u00e0 partir du moment o\u00f9 plusieurs plusieurs composantes se combinent pour former un tout. Kolarova Vassilena. Les mots interpicturalit\u00e9, intertextualit\u00e9 et interm\u00e9dialit\u00e9 sont nouveaux pour moi. Bien que l&#8217;aspect conceptuel de ces mots soit devenu pour moi une seconde nature, dans notre existence globale, nous faisons continuellement des r\u00e9f\u00e9rences crois\u00e9es dans nos conversations et chaque fois que nous faisons une recherche sur le World Wide Web.\u00a0 D\u00e9riv\u00e9 du latin intertexto, qui signifie s&#8217;entrem\u00ealer en tissant, le terme intertextualit\u00e9 a \u00e9t\u00e9 formul\u00e9 par Julia Kristeva, qui a \u00e9crit dans les ann\u00e9es 1960 sur la formation du sens d&#8217;un texte par l&#8217;utilisation d&#8217;autres textes, dans un ensemble unifi\u00e9. La formation du sens ou de l&#8217;image par la superposition de r\u00e9f\u00e9rences multiples est parall\u00e8le \u00e0 mon processus d&#8217;\u00e9criture sur mon ordinateur Mac dans un programme appel\u00e9 TextEdit. \u00a0Je suis engag\u00e9 dans le processus d&#8217;intertextualit\u00e9 alors que de multiples fen\u00eatres sont ouvertes sur mon bureau : une d\u00e9finition du mot dans Wikipedia ; un essai de Kolarova Vassilena sur le Ph\u00e9nom\u00e8ne interartistique. <a href=\"http:\/\/www.deborahgavel.com\/artist-statement\/\">http:\/\/www.deborahgavel.com\/artist-statement\/<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0baca2a elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"0baca2a\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-85c28c4 elementor-widget elementor-widget-text-editor\" data-id=\"85c28c4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par A. Bercier 2016 \u2013 ruor.uottava.ca in Concert rock et th\u00e9\u00e2tralite: Secret World Live de Peter Gabriel pdf uottawa.ca\u00a0 Th\u00e8se de doctorat , p. 134, Kolarova Vassilena, Le Phenomene Interartistique, Semiotica, m 180 2010, p. 19-45<\/p><p>\u00a0<a href=\"https:\/\/ruor.uottawa.ca\/handle\/10393\/35539\">https:\/\/ruor.uottawa.ca\/handle\/10393\/35539<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-860d8b6 elementor-widget elementor-widget-button\" data-id=\"860d8b6\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/www.ceeol.com\/search\/article-detail?id=458079\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">LIRE<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9df0562 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"9df0562\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-10fa761 elementor-widget elementor-widget-text-editor\" data-id=\"10fa761\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par Henrique Rochelle Universidade Estadual de Campinas in Rethinking Dance Theory Through Semiotics, 2015<\/p><p>Ce processus d&#8217;association entre les personnes impliqu\u00e9es dans la communication de la danse en tant que langage est une caract\u00e9ristique forte de ce langage, qui r\u00e9affirme l&#8217;unit\u00e9 de la triade signe-objet-interpr\u00e9tant (pour plus d&#8217;informations sur la fa\u00e7on dont l&#8217;aspect triadique de la s\u00e9miose est pr\u00e9sent dans la communication artistique, voir Kolarova, 2010), qui est une partie fondamentale de l&#8217;\u00e9tude dans un cadre s\u00e9miotique. In Kalby studijos\/ studies about languages n \u1d52 26\/2015, CEEOL copyright 2019<\/p><p>Pdf ktu.lt<\/p><p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.ceeol.com\/search\/article-detail?id=458079\">https:\/\/www.ceeol.com\/search\/article-detail?id=458079<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-88b41a0 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"88b41a0\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b2bef85 elementor-widget elementor-widget-text-editor\" data-id=\"b2bef85\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par Michel Butor<\/p><p><a href=\"https:\/\/dictionnaire.butor.ch\/butorweb-g.html#lettre%20k\">https:\/\/dictionnaire.butor.ch\/butorweb-g.html#lettre%20k<\/a><\/p><p>Kolarova, Vassilena :<\/p><p>&#8211; Auteur d&#8217;une th\u00e8se de doctorat sur le ph\u00e9nom\u00e8ne interartistique (&#8220;Le ph\u00e9nom\u00e8ne interartistique dans le texte litt\u00e9raire \/ Les Essais de Montaigne et La Modification de Butor&#8221;) \u00e0 la Nouvelle Universit\u00e9 Bulgare de Sofia, Vassilena Kolarova a travaill\u00e9 sur Le Jardin Catalan, livre d&#8217;artiste de Michel Butor et Georges Badin. Ses travaux ont notamment \u00e9t\u00e9 pr\u00e9sent\u00e9s lors du Colloque international de Sozopole du 13 septembre 2006. A ce sujet on peut lire l&#8217;article &#8220;Le paradis de r\u00eave &#8230; Le jardin catalan &#8230;&#8221; depuis le site de Georges Badin o\u00f9 l&#8217;on trouvera d&#8217;autres renseignements sur le travail de l&#8217;auteur sur Butor.<\/p><p>&#8211; &#8220;S\u00e9mantique des couleurs dans &#8220;La Modification&#8221; de Michel Butor&#8221;, Sledva, revue litt\u00e9raire, Presses Universitaires de la NUB (Nouvelle Universit\u00e9 Bulgare), n\u00b0 11, pp.20-30, avril 2005, publi\u00e9 en bulgare.<\/p><p>&#8211; &#8220;L\u2019indicible sur l&#8217;Am\u00e9rique ou le sublime des oeuvres ineffables&#8221;, Applied Semiotics \/ S\u00e9miotique appliqu\u00e9e , Une Revue internationale de recherche litt\u00e9raire sur Internet, n\u00b017, juin 2006.<\/p><p>&#8211; &#8220;Le chatoiement interartistique des lettres cyrilliques et des couleurs chez Butor et Badin&#8221;, intervention au colloque &#8220;L&#8217;univers Butor&#8221; de Belo Horizonte, 2011.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-962d595 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"962d595\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0cf3be5 elementor-widget elementor-widget-text-editor\" data-id=\"0cf3be5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par Georges Badin<\/p><p><a href=\"http:\/\/www.georgesbadin.com\/texts\/textes-de-vassilena-kolarova\">http:\/\/www.georgesbadin.com\/texts\/textes-de-vassilena-kolarova<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5e6faf8 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"5e6faf8\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-80f3e5a elementor-widget elementor-widget-text-editor\" data-id=\"80f3e5a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par Nuraisyiya Nuraisyiya \u2013 Academia.edu, 2016<\/p><p>De l\u2019engagement \u00e0 l\u2019absurde<\/p><p>\u2026..L\u2019interf\u00e9rence et l\u2019interaction entre les arts fait na\u00eetre le ph\u00e9nom\u00e8ne interartistique qui fonctionne au niveau global du texte, de m\u00eame qu\u2019il influence le livre a venir que Roquentin ecrira. (fiche tir\u00e9e de l\u2019article \u201cLa touche intermusicale de la peinture. La Nausee de Sartre de Vassilena Kolarova <a href=\"http:\/\/www.lechasseurabstrait.com\/revue\/La\">www.lechasseurabstrait.com\/revue\/La<\/a> touche-intermusicale-de-la-peinture-La Nausee)<\/p><p><a href=\"https:\/\/www.academia.edu\/9728878\/De_lengagement_%C3%A0_labsurde\">https:\/\/www.academia.edu\/9728878\/De_lengagement_%C3%A0_labsurde<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-33da51d elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"33da51d\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-493cb7f elementor-widget elementor-widget-text-editor\" data-id=\"493cb7f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par Marcus \u041c\u043e\u0442\u0430 s\u00e1bado, 30 de mar\u00e7o de 2019<\/p><p><a href=\"http:\/\/kandinsky2017.blogspot.com\/2019\/03\/?m=1\">http:\/\/kandinsky2017.blogspot.com\/2019\/03\/?m=1<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-25b01be elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"25b01be\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<div class=\"elementor-icon\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fas-quote-right\" viewBox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M464 32H336c-26.5 0-48 21.5-48 48v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48zm-288 0H48C21.5 32 0 53.5 0 80v128c0 26.5 21.5 48 48 48h80v64c0 35.3-28.7 64-64 64h-8c-13.3 0-24 10.7-24 24v48c0 13.3 10.7 24 24 24h8c88.4 0 160-71.6 160-160V80c0-26.5-21.5-48-48-48z\"><\/path><\/svg>\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-149718b elementor-widget elementor-widget-text-editor\" data-id=\"149718b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Cit\u00e9e par Pers\u00e9e in 2021<\/p><p><a href=\"https:\/\/www.persee.fr\/authority\/973520\">https:\/\/www.persee.fr\/authority\/973520<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6180b4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b6180b4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4ce2a38\" data-id=\"4ce2a38\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d312bb3 elementor-widget elementor-widget-heading\" data-id=\"d312bb3\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Links:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e8ae64 elementor-widget elementor-widget-text-editor\" data-id=\"7e8ae64\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><a href=\"http:\/\/ilit.bas.bg\/index.php\/en\/members\/vassilena-kolarova-pellerin\">http:\/\/ilit.bas.bg\/index.php\/en\/members\/vassilena-kolarova-pellerin<\/a><\/p>\n<p><a href=\"https:\/\/independent.academia.edu\/VassilenaKOLAROVAPELLERIN\">https:\/\/independent.academia.edu\/VassilenaKOLAROVAPELLERIN<\/a><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u00c0 PROPOS DE NOUS Mme V. Pellerin est titulaire d&#8217;un doctorat en litt\u00e9rature et art de l&#8217;\u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS) \u00e0 Paris. Ses recherches portent sur la s\u00e9miotique de la litt\u00e9rature et de l&#8217;art fran\u00e7ais. En 1999, elle a obtenu un dipl\u00f4me en litt\u00e9rature fran\u00e7aise \u00e0 l&#8217;universit\u00e9 de Sofia &#8220;St. Kliment [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1135","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u00c0 propos de nous - The Interart French Academy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/efrenchlesson.com\/fr\/a-propos-de-nous\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c0 propos de nous - The Interart French Academy\" \/>\n<meta property=\"og:description\" content=\"\u00c0 PROPOS DE NOUS Mme V. Pellerin est titulaire d&#8217;un doctorat en litt\u00e9rature et art de l&#8217;\u00c9cole des hautes \u00e9tudes en sciences sociales (EHESS) \u00e0 Paris. Ses recherches portent sur la s\u00e9miotique de la litt\u00e9rature et de l&#8217;art fran\u00e7ais. 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